We produce,
after almost a century of interruption, terracotta art issues, among
others, models of the Louvre Museum.
We also take advantage of these techniques that contemporary artists will
be but also the designers, museum, ... which is a rediscovered ability to
edit small sets of all distinct parts.
These are not casts but parts stamping each of which spend many hours in
the hands of the sculptor modeler who will give him a soul.
Stamping requires a perfect technical mastery of both the material that is
clay, and the use of forms that can be combined to assemble a room.
Each room also requires a patient and meticulous work of editing and
finishing, which gives each draw its originality.
The collection of original shape plaster we can achieve, not copies, but
editions in original form.